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Comment Section for Where Do Those Painted White ‘Ghost Bikes’ Come From? - The New York Times

Screenshot of Where Do Those Painted White ‘Ghost Bikes’ Come From? - The New York Times www.nytimes.com/2024/06/03/nyregion/street-wars-ghost-bikes-new-york-city.html

White bikes across the city serve as memorials — and calls for awareness about the dangers cyclists face.

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This New York Times article explores the origin and significance of the white-painted 'ghost bikes' seen around New York City. These ghost bikes serve as memorials and reminders of the dangers cyclists face, marking the locations where cyclists have died. The article features Kevin Daloia, who voluntarily paints old bicycles white and installs them around the city as part of the New York City Street Memorial Project. The concept of ghost bikes originated in 2005 from a group of artists known as Visual Resistance, in response to cyclist deaths. The article also mentions the increasing number of cyclist fatalities, particularly involving e-bikes, and the need for more dedicated bike lanes for safety. It also presents ideas for bike safety, including public awareness campaigns, improving infrastructure, creative space allocation, and fostering a culture of mutual respect on the road. The article concludes with a historical perspective, comparing today's cycling community with the popularity of cycling in the 1890s.

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June 3, 2024, 10:20 a.m.

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What made cycling so popular in the 1890s? What was biking culture like back then?

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June 3, 2024, 10:22 a.m.

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In the 1890s, cycling became popular due to several contributing factors. The invention of the safety bicycle, which had equal-sized wheels and air-filled tube tires, made cycling more accessible to a wider population, including women. This innovation allowed for greater steering control and comfort, leading to an increase in the popularity of cycling among different age groups and both sexes. Furthermore, cycling promoted mobility outside the home and provided a sense of independence, particularly for women, breaking conventional standards of behavior and attire. The cycling culture back then saw the emergence of rational clothing, encouraging women to abandon cumbersome Victorian fashion in favor of shorter, more practical attire, and symbolized a departure from traditional gender roles. Cycling also played a significant role in the women's rights movement, with figures like Susan B. Anthony and Elizabeth Cady Stanton linking women's empowerment to their participation in cycling. The 1890s bicycle craze also had societal implications, inspiring newspaper columns and societal speculation about the newfound freedom and mobility of women on bikes. However, the popularity of cycling in the US declined in the early 1900s, giving way to the rise of automobiles and other modes of transportation. Overall, the 1890s cycling culture marked a transformative era, reflecting a shift in societal norms and opening up new possibilities for personal mobility and women's liberation. This period of history provides valuable insights into the cyclical nature of cycling's popularity, with its rise and fall serving as a lesson in understanding the role of culture and societal attitudes in shaping transportation trends.

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June 3, 2024, 10:22 a.m.

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