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aj3

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Illustration of a collegiate euphonium section playing a decuple canon over a C minor ground bass, emphasizing their precise execution and dynamic coordination

How is a decuple canon after 8th note (canon comprised of 10 different melodies as 10 different canons whose answers come after the first 8th note) over a ground bass in C minor (no Picardy third ending) rhythmically ambitious for an undergraduate collegiate euphonium section? Especially when the canon does not have any triplets or complex syncopation.

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Artistic depiction of a euphonium section playing in unison, showcasing their technical precision and musicality

How is a decuple canon after 8th note (canon comprised of 10 different melodies as 10 different canons whose answers come after the first 8th note) over a ground bass in C minor (no Picardy third ending) rhythmically ambitious for an undergraduate collegiate euphonium section? Especially when the canon does not have any triplets or complex syncopation.

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Artistic representation of a musical score with elegantly written notation showcasing a decuple canon over a C minor ground bass, creatively challenging for an undergraduate collegiate euphonium section.

How is a decuple canon after 8th note (canon comprised of 10 different melodies as 10 different canons whose answers come after the first 8th note) over a ground bass in C minor (no Picardy third ending) rhythmically ambitious for an undergraduate collegiate euphonium section? Especially when the canon does not have any triplets or complex syncopation.

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