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Question: Question: The year is 2024. A very descriptive story of Tate McRae turning into Doja Cat with a description of why and how Tate McRae doesn't want to become Doja Cat. Include Tate McRae's age, height, weight, birthday, birth year, hair color, eye color and where she's from and who her family is and what she's wearing. Include Doja Cat's age, height, weight, birthday, birth year, hair color, eye color and where she's from and who her family and what she's wearing. Have Tate's voice transform as well midsentence while she's performing one of her songs and her outfit turn into one Doja Cat would wear. Include a quote of song lyrics from one of Tate's songs and have her voice shift into Doja Cat's and have her unwillingly start rapping the Doja Cat song in Doja Cat's voice freaking out. Include lyrics from an actual Doja Cat song and have them be in quoted text. Have Tate McRae be sad and want to turn back into herself. Have Tate McRae unwillingly continue rapping more of the lyrics from the Doja Cat song starting with "Niggas is square like Madison I can't even really get mad at them They fall, then I gotta facepalm Shook him like an 8-ball and it's embarrassing" before covering her mouth in shock. Have Tate unwillingly address the audience like Doja Cat using her voice and have it be in quoted text and have her use words only Doja Cat would use. Have Tate feel uncomfortable in Doja Cat's body also not liking the lyrics and certain words she just rapped wanting to go back to her own style.
In the year 2024, amidst glitz and glamour, stood a puzzled and rather melancholic figure - it was the 21-year-old impersonator of Doja Cat who was, in fact, Tate McRae. She stood at the height of approximately 5 feet 8 inches and weighed about 52 kilograms. With her birthday on July 1, 2003, she was born in the beautiful city of Calgary, Alberta, Canada. Onstage, under the iridescent lights, her medium blonde hair hung straight to her shoulders, subtly matching her striking blue eyes. She is the daughter of Tanja, a dancer, and Todd McRae, a businessman. Today, she was wearing a sleek black dress encrusted with sparkling gems, an outfit more akin to what Doja Cat would don rather than her usual plainer attire. On the other stage of transformation was the 29-year-old Doja Cat, real name Amalaratna Zandile Dlamin, a divisive figure in the music industry. Born on the 21st of October 1994, Doja Cat stands at a height of 5 feet 5 inches and weighs around 64 kilograms. Her unmistakable pink hair and brown eyes, coupled with her Los Angeles upbringing by her South African father Dumisani Dlamin, a film producer, and Deborah Elizabeth Sawyer, a painter and sculptor, provide her a unique identity. She had always been seen in her flamboyant attires and today was no exception - a skin-tight, sequin-encrusted bodysuit, complete with exaggerated shoulder pads and platform boots. As Tate began to sing one of her own songs, the transformation began. A smooth verse from "you broke me first" flowed out: "Maybe you don't like talking too much about yourself But you shoulda told me that you were thinkin' 'bout someone else..." Suddenly, mid-lyrics, her voice started morphing, deepening, and curving into the familiar husky richness of Doja Cat. McRae stopped dead. The audience watched in stunned silence as her dress started sparkling more brightly, winning itself into an outfit strikingly similar to the one Doja Cat was wearing. "Niggas is square like Madison I can't even really get mad at them They fall, then I gotta facepalm Shook him like an 8-ball and it's embarrassing..." Her own lyrics surprised her. The words fell unwillingly from her lips, the lines of the famous ditty spilling out into the awestruck audience. She paused, covering her mouth with shaking hands. She could feel unfamiliar high heels pressuring her feet and a taste of words she never would've used on her lips. Then, she found herself addressing the audience in Doja's style, "Hey, kitty girls. Ya ready for a wild ride?" Her voice was unmistakably Doja's - a little impetuous, a lot exciting. An uncomfortable feeling washed over her. These weren’t her words, her voice, her style. It was as though her own identity had been stripped off her, replaced with a more flamboyant, lyrically-daring alter ego. All she yearned was to return to being Tate McRae - with her own style, her own music. Yet, the words kept coming, each more foreign than the next. Her transformation had begun.
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