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Question: Write a transformation story of Alastor (from the Hazbin Hotel series) turning into a red London double-decker bus (from real life), complete with weight gain (due to the bus's large size), clothes-body merge (due to his clothes' colour), and inanimation (him becoming an inanimate vehicle), but still being alive. For Alastor's appearance, he is a slim, dapper sinner demon with beige-colored skin, and usually has a broad smile full of sharp, yellow teeth. He is approximately 7 feet tall. He sports a pinkish-red cropped, angled bob-cut with black tips at the ends and two large, black tipped tufts of hair extending from the top of his head, evoking the ears of a deer. The style has an undercut at the back, and two small black antlers protruding from the crown, which can grow in size in his full demonic form. Alastor's eyes have dark-red sclerae, bright-red irises and thin black pupils (which can change into the shape of radio dials when shifting into his full demon form). His forearms and lower legs fade to dark grey, and he has red hoofed toes and red fingers. Alastor wears a red pinstripe coat with dark-red lapels piped with white, which is ragged along the bottom hem. Underneath this he wears a bright red dress-shirt with a black cross on the chest, and long black dress pants with matching bright red cuffs. He also wears a dark-red oval-shaped monocle, rimmed with black, over his right eye. He accessorizes with a black knotted bowtie with a bright red center, black gloves with red at the fingertips, and black pointed-toe boots with red deer hoofprints emblazoned on the soles. Alastor also carries a thin cane with a sentient vintage style microphone attached to it, which he uses to play sound effects and broadcast his voice. Alastor stands out from many of the more chaotic residents of hell for his well maintained amiable persona. He gives the first-impression of a good-natured and charming man, wearing a permanently wide grin on his face at all times. Alastor's behavior, mannerisms, and even his voice are similar to an old-fashioned radio announcer and speaks with a transatlantic accent, often using quaint anachronisms such as "the picture show" and refers to Charlie as a "charming demon belle". This playful dandyish exterior, however, obscures a much darker side to him - one with high levels of self-importance - and he will not hesitate to use physical violence when others don't act in line with his very particular values or expectations. For the red London double-decker bus's appearance (after Alastor turned into that bus), it is a large bus with a main entrance door at the front. There are 45 seats on the upper deck, and 22 seats on the lower deck. It has a length of 11.0 metres, a height of 4.39 metres, and weigh up to 18.0 tonnes. Seating capacity is affected by both body length and operator specifications, with the largest designs seating up to 120 passengers. Its paint scheme is bright red with a white top and black stripes on its sides.
In the heart of Hell, within the mansion of Alastor, the Radio Demon, something unusual was beginning to take place. Seated in front of the fireplace Alastor had an unusually thoughtful look on his face. He contemplated the monotonous existence, his eyes, their usual crimson hue, turning to radio dials as he pondered a new transformation. Sparks of excitement lit his gravely elegant voice as he narrated his own change incantation. The room went tense when the magic began to ripple around him, his body undulating within the unearthly glow. His sharp yellow teeth seemed to blur as his body began to expand, the initial stages of his transformation focusing around an unexpected weight gain. Flesh, bone, and sinew began to contort, growing denser as he packed on about 18 tonnes worth of extra weight. The room shook with each rapid expansion, the moth-eaten rug beneath him protesting the sudden load. His clothes-storage merge started to occur, the red pinstripe coat and bright red dress-shirt merged and transformed into the vibrant crimson and pitch black stripes of the bus. His limbs started to merge and alter too, his arms and legs expending and hardening into wheels, solid puncture-resistant tyres sprouting in place of fingers and toes. The black on his shoes and gloves were now the rubber on the wheels. His antlers retracted into his skull as the top of his head flattened and started to broaden out, becoming the familiar square-shaped top deck of the bus, its white top mirroring his shirt. The lower-half of his face started to morph into the typical front view of the double-decker bus, the broad grin replaced by an entrance door as his red-eyed gape turned into the vehicle's windshield. At the sight of 45 seats growing out of his thin form on the upper party of his body and 22 seats on the lower part, his own laughter, now sounding more like a diesel engine, echoed through the mansion. His cane, with that sentient microphone, shifted into a modern electronic ticketing system inside his transformed body. The remaining parts of his attire altered seamlessly into the parts of the bus, the red folds of the fabric now curved sheets of metal, his monocle the bus's side mirrors. His dapper charm and verbosity was now all in his glossy metallic shell. The transformation complete, the once dapper Radio Demon, Alastor was now an imposing red London double-decker bus standing grandly in his mansion. Standing isn't the right word, Alastor was now inanimate, his body impersonating the luxurious behemoth. Yet, an inexplicable rush of vitality still flowed through his chassis, defiance that he was still the same vibrant character despite his unusual outward appearance. In the still of Hell’s night, Alastor’s hearty voice now echoed not from a demon but from the speakers of a vehicle, announcing his arrival in his new form, packed with the same jovial charm and fascinating menace. From Radio broadcasting demon to the fanciest bus in Hell, Alastor was certainly making an impact, a red London double-decker bus in the midst of Hell.
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