"Transformation into Chun-Li: Reclaiming True Identity"

Prompt: Write a POV transformation story of a male human reader turning into Chun-Li from the Street Fighter games, complete with gender change (the reader turning from male to female, a pair of womanly breasts grows on his chest as body becomes more curvy and feminine while his male genitals invert itself and sucks into his body to turn into a vagina, ovaries, and uterus), voice change, height change, age change (becoming an approximately late 30s/early 40s year old woman), art style shift (the reader himself and the world around him becoming anime-esque and no longer live-action-styled), reality change (the reader's real world becoming the world of Street Fighter), and mind/mental change (with the reader's personality and memories being completely replaced with Chun-Li's personality and memories, as the voice tells the changing reader that she was never male and always had been a woman, as well as confirming that she was never a mundane person, since she was daydreaming all this time, and that she has always been Chun-Li, despite the reader's best efforts on fighting off her new memories/personality, making her fully believe in the voice in her head and know that she had always been a hero and a Martial Arts Master, causing her to completely forget her previous self, since that was only a dream and not real, and remembers that she has always been a heroic martial artist named Chun-Li, which is her true self and true life). For Chun-Li's appearance (after the reader turned into her), she is a Chinese woman of 5’7” (170 centimeters) tall and is approximately in her late 30s/early 40s, who has brown eyes, and her hair is dark brown or black, while is styled into two large buns on the sides of her head, which is one of her signature looks. Chun-Li is often characterized by a muscular and athletic body type. She has strong, defined legs, which reflect her background in martial arts and her signature fighting style. Her physique is typically depicted as well-proportioned, combining strength with a feminine appearance. This combination emphasizes her agility and power. Chun-Li wears a qipao, a Chinese dress imported over from Manchuria that became popular among girls during the early 20th century. Her outfit is modified to allow a far wider range of movement than a normal qipao. She also wears white combat/boxing boots of around calf-length in height and a blue leotard with dark brown sheer pantyhose and a blue thong underneath with her qipao. Her qipao is blue with golden accents with a white waistband embroidered with a (mostly-invisible) light blue dragon pattern. Large spiked bracelets, whose ring is black steel and spikes are white/chrome polished steel are worn on both arms. According to supplementary materials, she wears the qipao in honor of her late mother, who passed away in her early childhood and whose only photo showed her in a qipao similar to her daughter's. The spiked metal bracelets she is known to wear are made of iron, and weigh approximately 7-10 kilograms (15-22 lbs) each. Chun-Li also wears them to help tone and exercise her body; the qipao is fitted with weights to help build body strength and finesse, while her bracelets are for the purpose of balancing her body when performing her kicking moves, including helping stabilize her center of gravity during a Hyakuretsukyaku and limit her during supers such as the Senretsukyaku to avoid overexerting her muscles. The spikes are also used for the purpose of intimidation. For Chun-Li's powers and abilities, she is the original fast character in the Street Fighter series, utilizing multiple rapid attacks rather than the slow, damaging strikes of larger characters like Zangief. Her agile and swift movements are a favorite amongst game-players. It is interesting to note that in the early days of arcade fighting games, many other female characters played in a similarly speedy style, following the example set by Chun-Li. In previous games (mainly Street Fighter II) she was basically a charge character along with Guile and E. Honda but her style was changed in later games to give her a more technical feel as well as her trademark "speed" granted to the player. Much of her basic moves involved brute force mixed with agility for a mixed fighting style in many cases, while also focusing on Chun-Li's thigh-build, giving her various types of kicking attacks. However, as the games progressed as of Street Fighter III: 3rd Strike, Chun-Li's animations began to deviate from her original ones, and she adopts a more graceful approach to her martial arts (with some versions of her crouching stance instead making assume a lotus position of sorts). Another notable trait of Chun-Li's was her various unique attacks that often varied from iteration to iteration, with only a few iconic ones being consistent in her arsenal. As a result, she can be regarded as a "queen of unique attacks/command normals" due to the sheer amount she's had across the series. Chun-Li's fighting style is of all kinds of Chinese martial arts/Kung Fu - mostly Tai chi. In almost every game, Chun-Li's signature move is the Hyakuretsukyaku, which was her ability to throw multiple kicks in one sitting. Its easy accessibility (bluntly pressing a kick button rapidly) has become a staple in many games. Her Spinning Bird Kick acts like Ryu's and Ken's own Tatsumaki Senpukyaku. Chun-Li can also wall-jump, meaning that pressing in the opposite direction after touching the wall during a jump will allow her to bounce off of it. While jumping, she can perform a Stomp Kick on top of her opponent's heads. Beginning with Street Fighter Alpha, this move was replaced by the Sen'enshu, which was an overhead drop kick which knocked the opponent down. This, in itself, was replaced by the Hazanshu in Street Fighter III, which was a similar move where Chun-Li flipped in the air before attacking with her overhead kick. She also regained her Spinning Bird Kick in that game. Her Kakukyakuraku was basically a move where she flips in the air and drop kicks her opponents on the head, causing them to fall down. This was replaced in Street Fighter III with the "Tenshin Shuu Kyaku" which requires her to jump all the way behind the opponent to attack, but also lets her combo afterward. Her trademark projectile is called the Kikoken, and has alternately been a motion attack and a charge attack depending on the game. Her Tenshokyaku enabled her to jump in the air and perform 3-4 consecutive kicks that can damage air born opponents. Other notable moves that have appeared include the Sou Hakkei, a powerful palm strike that Chun-Li can do in her X-ISM mode in Street Fighter Alpha 3; the Reishiki Kikou Ken, a toned-down version of the Kikosho as it appeared in the Alpha games that Chun-Li can do at any time in the Marvel vs. Capcom series; and the Tenshin Embu in SNK vs. Capcom: SVC Chaos, a command grab similar to Yun and Yang's Zenpou Tenshin that does no damage but leaves the opponent open to a combo. In Super Gem Fighter Mini Mix, Chun-Li retains most of her moves as both Kikosho and Hazan Tensho Kyaku serve as her Mighty Combos and has five disguises serve as her special attacks but one of those moves makes herself recoiled. (Eg: a summer school uniform while wielding a golf club and a love letter, a cheerleader wielding pom-poms and a baton stick, a circus performer, cosplaying as Jill Valentine in her first outfit in Resident Evil wielding heavy firearms and a traffic enforcer) One of her special attacks has to bump her opponent by sliding into the ground. She later wears a black sleeveless formal chinese qipao serving as one of her taunts. One of her Mighty Combos has her to slam the opponent with a traffic sign while disguising as a traffic enforcer to make the bikers from the Alpha games to hit and run the opponent for a heavy damage. Chun-Li's first Super Combo, the Senretsukyaku, was an extended Hyakuretsukyaku that moved Chun-Li forward and could go through fireballs. Her Kikosho, which she received in Street Fighter Alpha, was a stationary ball of energy that could hit attacks coming from above and in front. Her Hazan Tenshou Kyaku was a powered-up version of the Tenshokyaku. These moves received typical power increases in the Marvel vs. Capcom series. Her appearance in Street Fighter III: 3rd Strike saw her retain only one Super Combo from before, the Kikosho, in a version that more resembled the Vs. version than the original Alpha version. The move would return to Street Fighter 6 with an airbone version of it. Her two new Super Arts were the Hoyokusen, a re-imagined Senretsukyaku that was made up of two flurries of rapid kicks followed by a final kick that sent the opponent upward; and the Tensei Ranka, an aerial flip-kick that ended with a final kick crashing straight downward. Chun-Li's Hoyokusen would later become her Critical Art in Street Fighter V, having a more cinematic effect upon landing the first hit, as well as one of her Hyper Combos for the Marvel VS Capcom series. In Street Fighter IV, Chun-Li gains a new Ultra Combo called Hosenka. It is very much like Houyoku Sen, except instead of kicking the opponent away after the Hyakuretsukyaku, she kicks the opponent upwards and does a powered-up Spinning Bird Kick, which causes a tornado and does significant damage. She then kicks the opponent up into the air with a lot of force, landing gracefully after the opponent falls back on to the floor. In Super Street Fighter IV, the Kikosho returns as Chun-Li's second Ultra Combo. The Kikosho animation is nearly identical to what is depicted in Street Fighter III: 3rd Strike. In crossover games, Chun-Li gains a Hyper Combo called Shichisei Senkuu Kyaku. Chun-Li passes through the opponent with a powerful kick. As the two are momentarily paused mid-air, the screen turns black and the kanji of the Hyper Combo's name appears on the screen, with the screen flashing afterwards. Street Fighter 6 has every character equipped with at least three Supers. Chun-Li's Kikosho returns as her Level 1 Super Move, with an Aerial version of her Kikosho being introduced as a new Super Art. Chun-Li's Hoyoku-sen is Chun-Li's Level 2 Super Art with Chun-Li circling her arms while lowering into a stance as seen in her Critical Art in Street Fighter V. Chun-Li's Street Fighter 6 Hoyoku-sen launches her opponent in the air after the final move, allowing for a follow up combo just like in Street Fighter III: 3rd Strike. And finally, Chun-Li's Level 3 Super Move, the Soten Ranka, makes its debut as her most powerful Super Art. Chun-Li circles her arms at her opponent, then kicks them in the air, followed with rapid Wing Chun punches to her opponent's stomach before kicking them away. From her Serenity Stream stance, Chun-Li leaps into the air and delivers a final Hazanshu to her opponent's back, slamming them to the ground. The Critical Art version of her Level 3 Super Art ends with her finishing her opponent with a Shichisei Senkuu Kyaku to her opponent's stomach, sending them flying into the screen before falling back to the ground. For Chun-Li's personality, she is a resourceful and dedicated officer of the law with a strong sense of justice that rivals that of her father, as she strongly believes in protecting the innocent and saving the lives of others. She is a highly disciplined, seasoned, and courageous woman, and is often the voice of reason. As an official of Interpol, she takes her work as a cop with pride (showing pride at what she does when she saves another), outside of her duty as a cop, she has an elegant, sweet, and feminine personality. Chun-Li, however, is not without her flaws, as she has shown to get very competitive with criminals (in Street Fighter media), and does not take kindly to those who insult her pride as a cop. There are also times she is shown to have a fairly rash side to her personality (as occasionally as in her ending of Super Gem Fighter Mini Mix). As pointed out by Nash and Guile, Chun-Li tends to let her emotions get the best of her while on duty, this has at least on one occasion almost caused her demise at the hands of Bison. Chun-Li has been told this and she has promised not to do it again while it keeps happening. Because of her devotion to justice, she often becomes allies and friends with other soldiers and cops. Additionally, she has shown great resilience and determination in pursuing intense crime organizations, such as Shadaloo. A surprising trait was revealed that Chun-Li is inept at cooking, (averting her usual femininity like Lucia, but not to the point when the food becomes humorously bad like the latter) to the point of burning her food while following cooking instruction and Li-Fen having to take over with what remains of the ingredients. Chun-Li displays her kind and caring, almost motherly. After rescuing Li-Fen, she goes on to teach Kung Fu to children. Chun-Li was inspired by all the people she's met on her journeys, and has made it her new goal to teach her new students about strength and beauty, as well as to help shape their future. She maintains the same elegant and caring personality. Because she's taking a break from work, and she has Li-Fen to take care of, she isn't as headstrong to rush into dangerous situations like she used to be when she was in the past. But whenever a fight does come her way, she won't hesitate to defend herself or those she cares about. She is a little stricter with Li-Fen this time around, now that she's older and often times spends way too much time on her computer, but deep down, Chun-Li still very much cares for her. She treats her like a little sister, although she admits she's young enough to be her daughter. It took some time for her to open up to her after being rescued from Shadaloo and taken in by Chun-Li. But ever since, the are rarely seen apart. Chun-Li loves spending time with Li-Fen, whether it be shopping, going to get sweets, or even just teaching kung fu, her motherly personality shines even more so than ever. Chun-Li is also very encouraging and endearing to her friends. In addition to being one of the Masters you learn martial arts from, Chun-Li also encourages her friends to experience the many cuisines that the city and world has to offer. In addition, she teaches that solely focusing on martial arts can lead to inflexibility in mind and body, and that single-minded dedication is key for self-improvement. Chun-Li also encourages to take breaks from fighting from time-to-time, saying that a change of pace can do good for you. Chun-Li's legs are her unmistakable trademark, and not only her source of power in her fighting, but also a source of pride in herself, her kung fu, and her strength. When Chun-Li asks her friend what they think of them will result in different reactions from Chun-Li. Calling them "Inspirational" will get gratitude out of Chun-Li, and she'll be okay if you stared at them longer. Calling them "Thick" however will get Chun-Li flustered, and she'll threaten to teach the person who called them that a lesson. Chun-Li expresses delight the further her friend masters her martial art. Her friend reminds Chun-Li of her past self when she was training. She also compliments her friend as her friend progress in the journey of seeking strength, and even considers asking her friend to assist with her kung fu classes. Regardless where her friend's journey takes them, Chun-Li is delight to meet and train them, and is excited to continue fighting for the future. The story would be that the reader has found a Chinese scroll (belonging to Chun-Li) in or around the reader's room (either in an apartment or suburban home), and as he held the scroll, the blinding light engulfed him (as the scroll vanished into thin air), causing the whole transformation to occur. After the physical transformation, the reader checks her private parts and her chest by touching, shocked to find that they had been replaced by their feminine counterparts (with her chest now having breasts and her privates already inverted itself with a wet "pop" noise into her female parts (vagina, ovaries, and uterus)), making her realize in shock and confusion that she was now a girl, even telling herself that. Following the physical changes, the reader tries her best on fighting off the new memories and personality (such as calling for her friends/family and/or shaking her head in a vain attempt to loose those new memories/personality), but to no avail as she begins to forget her mundane life and remember her new life as Chun-Li. Near the end of the story (and long after the transformation ended), Chun-Li would briefly remember/thought of her previous life as a mundane person, but she soon forgets all about it as she realizes and knows that she has always been a woman (not a man) and her name is Chun-Li (she knew that she was never a man, and a thought of being a man disgusts her, she was confused on why she dreamt that, so she is glad that it was only a dream and not real), knowing that her mundane life as a mundane person was all just a dream, not reality (meaning her mundane life as an ordinary boy was not real and never was real to begin with), and Chun-Li is content to know that her life as Chun-Li is the only true/real life. There should also be quotes from the characters in this story so we know what they're saying and what they're thinking. Also, it is a POV reader story, so it should not be in an author's point of view (my, I, mine, etc), and it should be from the point of view of the reader (you, your, etc).