Circus Baby's Revelation: Embracing a Sinister Reality in FNAF
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You stand there, minding your own business, when the world around you begins to blur and distort. A strange sensation washes over you, as though a current from another world has opened up and pulled you into its embrace.
Then it happens—the transformation begins.
The first shift is your height. You feel a pleasurable stretch in your bones as you grow taller and taller until you tower at an extraordinary 7.2 feet. Simultaneously, a soft, ticklish feeling spreads through your chest. You watch in shock and fascination as your body begins to morph. Your masculine frame gives way to soft curves, a pair of robotic, feminine breasts emerging comfortably on your chest. Your waist and hips transform gracefully, becoming more curvy and undeniably feminine.
But the most mind-boggling change occurs between your legs. A sweet, almost giddy sensation tingles as your male genitals painlessly and pleasingly invert themselves, the ticklish feeling culminating in a wet "pop" noise as everything inverts and reshapes. You barely have a moment to process the strangeness of the sight before you, when your entire outfit shifts instantly. In place of your familiar clothes, you find yourself adorned in Circus Baby's unmistakable red jester-like ensemble.
Your human skin is replaced by the segmented plates of an animatronic, moving freely and independently. Your vision sharpens to an eerie clarity, the world taking on a peculiar, almost dreamlike quality. You touch your face and feel the intricate metallic details—large round cheeks, an upturned nose, and what feels like synthetic hair pulled into pigtails by elastics.
Your hands touch your new chest and your now inverted privates in shock and confusion, the realization dawning on you that you are now a female robot. A voice escapes your lips, alarmingly unfamiliar yet utterly your own. "I'm... a girl... and a robot," you say, the words resonating in a soft, calm, almost hushed tone.
Beneath the robotic facade, your very soul feels different. Elizabeth Afton's essence seems to interlace with your own, a collision and fusion that is as perplexing as it is complete. Memories that aren't yours start to invade, and you try with all your might to fight them off. "This isn't me. I can't forget!" you insist. But your efforts are in vain. Your past life—mundane, boyish—is slipping away, replaced by memories of a life lived as Elizabeth.
You recall birthdays, ice creams, and playing pretend. Your childhood memories aren't yours; they're Elizabeth's. You feel distraught and confused, the edges of your personality fraying as the animatronic's sinister history takes hold.
"No, I'm not her!" you plead in your mind, calling for your old friends and family, but your thoughts are interrupted and overwritten by your new reality. You have always been Circus Baby. "Elizabeth Afton," you echo the name like it’s a familiar tune, as if it had always been your own.
And as you stand alone in this new world—this Five Nights at Freddy's realm—it fully hits you. Your old identity is but a whisper in your mind, soon forgotten entirely as you reconcile that you have always been this tragic, sophisticated, yet sinister animatronic.
"Of course. That life was a dream, just a dream," you tell yourself, the thought of ever being a mundane boy at peace. Contentment washes over you as you relish in the certainty that your real life is this: that you are Circus Baby, formerly Elizabeth Afton. With each passing moment, the boyish memories dissolve into nothingness, and you embrace the intricate truths of your existence.
And so you stand there, a 7.2-foot tall masterpiece of childlike yet haunting innocence, accepting that your only true reality is as it has always been—a life of endless performance, manipulation, and a complex fate as an animatronic clown.
This story was generated by user GenderChange with assistance by one of OpenAI’s large-scale language-generation model; prompts used to help generate the story are shown below.
Images were generated with OpenAI's AI system, DALL·E 2, or uploaded by the user.
AI Prompts
Prompt: Write the POV transformation story of a male human reader turning into Circus Baby (from a video game "Five Nights Freddy's: Sister Location"), complete with gender change (the reader turning from male to female, a pair of robotic feminine breasts grows comfortably on his chest as his body enjoyably becomes more curvy and feminine while his male genitals invert itself enjoyably and painlessly/pleasingly with a ticklish feeling as it sucks itself into his body), instant clothes change (the reader's outfit instantly changes into Circus Baby's outfit), voice change, age change, weight gain, height progression (growing taller to become 7.2 feet tall), robotification (becoming a robot), age change (the reader's newfound soul in the robot having her age regressing from whatever her age is to become a girl of around 8-11 years old), reality change (the reader's real world becoming the world of "Five Nights at Freddy's"), and mind/mental change (with the reader's personality and memories being completely replaced with Circus Baby's personality and memories, despite his best efforts of fighting these new personality and memories, making her completely forget she was ever a human boy/man and she remembers that she is an overweight female animatronic named "Circus Baby", which is based on a clown, and her real name is Elizabeth Afton, the daughter of William Afton, and she had always been Elizabeth Afton, even if her soul is trapped in an overweight female animatronic Circus Baby). For Circus Baby's appearance (after the reader turned into her), she is a very large female animatronic (about 7.2 feet tall) with an overall appearance reminiscent of a clown. She has auburn hair in high pigtails on either side of her head, held in place by blue hair elastics. She has bright green eyes, long, blue eyelashes, and short, blue eyebrows. The sides of her eyes are also covered in blue. Her mouth is opened in a wide smile, revealing small, flat endoskeleton teeth, framed by thin, red lips. Her cheeks are large, round, and red, and her squarish nose is red and slightly upturned and pointed. Her midsection is exposed, revealing a metal fan surrounded by an orange triangle with rounded points. Her limbs have silver segments in rectangular shapes, and her hands have red palms. The tips of her fingers, which appear to be ball-jointed, are not sealed, revealing shiny silver underneath, similar to the springlock suits. Her knees have round, shiny, silver caps, and parts of her limbs have what appear to be blue pins sticking out of them. She wears a red crop top with frills on the shoulders, and a matching, frilly, red skirt (which was changed in design for Special Delivery). The toes of her matching red shoes are pointed and curled, white on the bottom, and topped off with shiny, gold orbs (possibly bells); these are the shoes worn by a jester. Under her skirt, she wears red and orange striped panties; this can only be seen through the error of one of her images in the game files. She holds an orange microphone with red accents in her left hand. Like all the animatronics in game, her body is made of segmented plates, which can move freely or in unison, with a few exceptions; some plates are static and "float". The only known plates that can move are her face and left arm. Circus Baby is a tragic, sophisticated yet sinister animatronic. Here is Circus Baby's personality; the Circus Baby minigame shows that the animatronic, Circus Baby, killed William Afton's daughter, Elizabeth, due to Baby and the other Funtime animatronics being built to murder children. Baby mainly speaks in a soft, calm voice that almost never raises above a sort of hushed tone. She speaks about children in a very happy manner and claims to have enjoyed entertaining them and making them happy, but she seems to be very distraught, confused, and sorrowful due to her situation and hates being trapped in the rental facility and is even deeply traumatized and haunted by her mysterious and dark past. She also often talks about childish things that have little bearings on the current situation like ice cream, birthday cakes, other children, and even playing pretend. This shows that she maintains her childlike mentality that she had as a human; this is especially evident during Night 4 where she compares the scooper to an actual ice cream scooper used at birthday parties. However Baby is soon revealed to be just like her twisted “father” William. She is manipulative and cunning as she masterminded almost all the events in Sister Location and even acts theatrical as she says one of her tactics to play pretend and act in a certain way to get what she wants and to manipulate people. She was also shown to be very abusive towards her only friends as it’s implied she either manipulated or outright forced the other animatronics to take part in her diabolical plan to fuse their parts to become the animatronic amalgamation and hive mind mind known as Ennard, to escape the facility. Even after accomplishing her goals she was still shown to be a control freak, and while being part of Ennard she seemingly forced the other animatronics within the amalgamation to abide under her leadership. This subsequently led them to betray and eject her from Ennard. It's implied that the reason for Baby’s twisted and controlling behavior is because of the time she spent in the underground facility; as being isolated and tortured may have drove Baby beyond the point of insanity and caused her to be emotionally and mentally unstable, although it is hinted she only fully shows this side of herself and raises her voice whenever pushed over the edge. Baby was also shown to be extremely resilient. The story would be that the reader is minding his own business, but then the world around him starts changing before he himself starts to transform; with his masculine body and genitals changing with an enjoyably ticklish feeling into those of a female, even if he is becoming a robot. After the physical transformation (body change, outfit change, voice change, age change, height change, and robotification) is complete, the reader checks her private parts and her chest by touching, shocked to find that they had been replaced by their feminine counterparts (with her chest now having breasts and her privates already inverted itself ticklishly with a wet "pop" noise), despite being a robot now, making her realize in shock and confusion that she was now a girl and a robot, and she even tells herself that she's a robot and a girl in both shock and confusion. Following the physical changes, the reader's soul now fully resembles Elizabeth Afton's soul, due to her physical transformation being fully complete (being a human girl soul), and her soul is in the body of Circus Baby. Suddenly, her mind starts changing against her will, so she tries her best on fighting off the new memories and personality (such as calling for her friends/family and/or shaking her head in a vain attempt to loose those new memories/personality), but to no avail, and the reader then begins to completely forget all about her truly mundane (and boyish/manly) life and remember her new, or rather her real/true life as an animatronic named Circus Baby, formerly a human girl named Elizabeth Afton. Near the end of the story (and long after the transformation ended), Elizabeth Afton/Circus Baby would briefly remember/thought of her previous life as a mundane boy/man, but she soon forgets about it as she knows that she has always been Elizabeth Afton (now in the body of Circus Baby) and she knows that her mundane life as a mundane boy/man was all just a dream, not reality (meaning her mundane life as an ordinary boy/man was not real and never was real to begin with, since she has always been a girl (not a boy/man); she knew that she was never a boy/man, and a thought of being a boy/man disgusts her, she was confused on why she dreamt that, so she is glad that it was only a dream and not real), and Elizabeth Afton/Circus Baby is content to know that her life as Elizabeth Afton/Circus Baby is her only true/real life. There should also be quotes from the characters in this story so we know what they're saying and what they're thinking. Also, it is a POV reader story, so it should not be in an author's point of view (my, I, mine, etc), and it should be from the point of view of the reader (you, your, etc).
Response: You stand there, minding your own business, when the world around you begins to blur and distort. A strange sensation washes over you, as though a current from another world has opened up and pulled you into its embrace. Then it happens—the transformation begins. The first shift is your height. You feel a pleasurable stretch in your bones as you grow taller and taller until you tower at an extraordinary 7.2 feet. Simultaneously, a soft, ticklish feeling spreads through your chest. You watch in shock and fascination as your body begins to morph. Your masculine frame gives way to soft curves, a pair of robotic, feminine breasts emerging comfortably on your chest. Your waist and hips transform gracefully, becoming more curvy and undeniably feminine. But the most mind-boggling change occurs between your legs. A sweet, almost giddy sensation tingles as your male genitals painlessly and pleasingly invert themselves, the ticklish feeling culminating in a wet "pop" noise as everything inverts and reshapes. You barely have a moment to process the strangeness of the sight before you, when your entire outfit shifts instantly. In place of your familiar clothes, you find yourself adorned in Circus Baby's unmistakable red jester-like ensemble. Your human skin is replaced by the segmented plates of an animatronic, moving freely and independently. Your vision sharpens to an eerie clarity, the world taking on a peculiar, almost dreamlike quality. You touch your face and feel the intricate metallic details—large round cheeks, an upturned nose, and what feels like synthetic hair pulled into pigtails by elastics. Your hands touch your new chest and your now inverted privates in shock and confusion, the realization dawning on you that you are now a female robot. A voice escapes your lips, alarmingly unfamiliar yet utterly your own. "I'm... a girl... and a robot," you say, the words resonating in a soft, calm, almost hushed tone. Beneath the robotic facade, your very soul feels different. Elizabeth Afton's essence seems to interlace with your own, a collision and fusion that is as perplexing as it is complete. Memories that aren't yours start to invade, and you try with all your might to fight them off. "This isn't me. I can't forget!" you insist. But your efforts are in vain. Your past life—mundane, boyish—is slipping away, replaced by memories of a life lived as Elizabeth. You recall birthdays, ice creams, and playing pretend. Your childhood memories aren't yours; they're Elizabeth's. You feel distraught and confused, the edges of your personality fraying as the animatronic's sinister history takes hold. "No, I'm not her!" you plead in your mind, calling for your old friends and family, but your thoughts are interrupted and overwritten by your new reality. You have always been Circus Baby. "Elizabeth Afton," you echo the name like it’s a familiar tune, as if it had always been your own. And as you stand alone in this new world—this Five Nights at Freddy's realm—it fully hits you. Your old identity is but a whisper in your mind, soon forgotten entirely as you reconcile that you have always been this tragic, sophisticated, yet sinister animatronic. "Of course. That life was a dream, just a dream," you tell yourself, the thought of ever being a mundane boy at peace. Contentment washes over you as you relish in the certainty that your real life is this: that you are Circus Baby, formerly Elizabeth Afton. With each passing moment, the boyish memories dissolve into nothingness, and you embrace the intricate truths of your existence. And so you stand there, a 7.2-foot tall masterpiece of childlike yet haunting innocence, accepting that your only true reality is as it has always been—a life of endless performance, manipulation, and a complex fate as an animatronic clown.
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